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February 4, 2021

Compare and contrast mise-en-scene through the element of framing the shot

Film 100

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ESSAY: (750 words)

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Choose ONE of the following topics. Use the course textbook
as a source to define terms. cite it according to the rules for formatting
academic essays and include it bibliography, in a do not know the rules for
formatting academic essays, visit the Writing Tutorial services listed above
Academic However, this is not a research essay and you are not required
additional sources the book. The essay is intended to enable you to develop and
apply your that you are learning from the textbook by demonstrating how meaning
is constructed in films through the aesthetic language of cinema.

1. Compare and contrast mise-en-scene through the element of
framing the shot in one scene from Rear Window (Alfred Hitchcock, 1954) and one
scene from The Third Man (Carol Reed, 1949)

2. Define the genre of film noir and its focus on the
antihero by comparing use of camera distance in the final scene of Double
Indemnity (Billy Wilder, 1944) and the final scene of The Third Man (Carol
Reed, 1949) August 1, 2017

Film 100

ESSAY: (750 words)

Choose ONE of the following topics. Use the course textbook
as a source to define terms. cite it according to the rules for formatting
academic essays and include it bibliography, in a do not know the rules for
formatting academic essays, visit the Writing Tutorial services listed above
Academic However, this is not a research essay and you are not required
additional sources the book. The essay is intended to enable you to develop and
apply your that you are learning from the textbook by demonstrating how meaning
is constructed in films through the aesthetic language of cinema.

1. Compare and contrast mise-en-scene through the element of
framing the shot in one scene from Rear Window (Alfred Hitchcock, 1954) and one
scene from The Third Man (Carol Reed, 1949)

2. Define the genre of film noir and its focus on the
antihero by comparing use of camera distance in the final scene of Double
Indemnity (Billy Wilder, 1944) and the final scene of The Third Man (Carol
Reed, 1949) August 1, 2017

Film 100

ESSAY: (750 words)

Choose ONE of the following topics. Use the course textbook
as a source to define terms. cite it according to the rules for formatting
academic essays and include it bibliography, in a do not know the rules for
formatting academic essays, visit the Writing Tutorial services listed above
Academic However, this is not a research essay and you are not required
additional sources the book. The essay is intended to enable you to develop and
apply your that you are learning from the textbook by demonstrating how meaning
is constructed in films through the aesthetic language of cinema.

1. Compare and contrast mise-en-scene through the element of
framing the shot in one scene from Rear Window (Alfred Hitchcock, 1954) and one
scene from The Third Man (Carol Reed, 1949)

2. Define the genre of film noir and its focus on the
antihero by comparing use of camera distance in the final scene of Double
Indemnity (Billy Wilder, 1944) and the final scene of The Third Man (Carol
Reed, 1949) August 1, 2017

Film 100

ESSAY: (750 words)

Choose ONE of the following topics. Use the course textbook
as a source to define terms. cite it according to the rules for formatting
academic essays and include it bibliography, in a do not know the rules for
formatting academic essays, visit the Writing Tutorial services listed above
Academic However, this is not a research essay and you are not required
additional sources the book. The essay is intended to enable you to develop and
apply your that you are learning from the textbook by demonstrating how meaning
is constructed in films through the aesthetic language of cinema.

1. Compare and contrast mise-en-scene through the element of
framing the shot in one scene from Rear Window (Alfred Hitchcock, 1954) and one
scene from The Third Man (Carol Reed, 1949)

2. Define the genre of film noir and its focus on the
antihero by comparing use of camera distance in the final scene of Double
Indemnity (Billy Wilder, 1944) and the final scene of The Third Man (Carol
Reed, 1949) August 1, 2017

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